And he said, “Tomiko I have to tell you it was really challenging for me to accept these numbers for you. Knowing I just did a negotiation for a white model.” But at the time I took it as a win, I was in the door. But here it is almost 20 plus years later and the love I still get from the campaign. From young girls who are now grown women to women who are now older. It’s something I am so proud of. I know I represented us well. As a Brown skin woman seen as an ideal of beauty. Not in an ego was but in a representation sort of way. People talk to you differently. You can command a higher rate. You walk in the room and they already know your pedigree. I also did shows in Paris. I didn’t do a lot but I was happy with what I got. Doing the Chanel show was right up there with the Maybelline. And Karl Lagerfeld, may he Rest In Peace took a liking to me. So I was able to do his show for several seasons. And I got to fly my sister to Paris to see me in the shows. She’s since passed from Lupus but that was something special for the both of us.
MUSA
So did you always want to be an actress or was it something that fell into your lap?
TOMIKO
It was one of those things. I’ve always been interested in the arts. My Mom had my sister and I attending for a short period of time the Dance Theater of Harlem. Acting just called me. I love creativity, love dance, I love music. It’s always been there but now as an adult I know how much I love it and how it inspires me. I took acting classes in New York. I took some commercial classes but somebody suggested I try film and tv acting too. I loved the process, the technique of how we would get to bring the work alive. I didn’t have a burning desire for it but I did prepare for it. The opportunities that came my way. It was a part of my artistic expression. I’ve gotten to a place of comfort of any room that I’m going in. I was even a part of a singing group, I took singing lessons. I wanted to be able to hold my own to some degree. I’m not trying to go on The Voice. ( laughs)
MUSA
You’ve had some nice gigs. Working with Freddie Prinze Jr. Head Over Heels, and working with Jennifer Lopez in Monster In Law. Did you pick up anything from them or was it the overall experience?
TOMIKO
I would say it was the overall experience. I did have a connection with Jennifer Lopez, cause we’re both from the Bronx. That one scene I’m in with her. People will say to me did I just see you in Monster In Law? Did you do a movie called Head Over Heels? Just being in the joy of creative expression is what I got. I fought moving to LA for a very long time. I was like it’s all plastic out there. Everyone’s pretending to be this and thriving to be that. There is so few that actually make it. What I learned since I moved to La La Land is that this is fertile ground for you to develop or discover what your creative expression is. You can be a writer, director, actor, model, music producer and that’s just fine. If you land in one lane that really calls to you, then you have the opportunity to do that. If you’re like me who just likes to play in all these different creativity fields. That’s available to you too.
What I learned since I moved to La La Land is that this is fertile ground for you to develop or discover what your creative expression is.